Week 10

青少年文學 Week 10

1. H.G.Wells

Herbert George "H. G." Wells (21 September 1866 – 13 August 1946) was an English writer. He was prolific in many genres, including the novel, history, politics, social commentary, and textbooks and rules for war games. Wells is now best remembered for his science fiction novels and is called a "father of science fiction", along with Jules Verne and Hugo Gernsback. His most notable science fiction works include The Time Machine (1895), The Island of Doctor Moreau (1896), The Invisible Man (1897), and The War of the Worlds (1898). He was nominated for the Nobel Prize in Literature four times.

Wells's earliest specialised training was in biology, and his thinking on ethical matters took place in a specifically and fundamentally Darwinian context.[8] He was also from an early date an outspoken socialist, often (but not always, as at the beginning of the First World War) sympathising with pacifist views. His later works became increasingly political and didactic, and he wrote little science fiction, while he sometimes indicated on official documents that his profession was that of journalist. Novels like Kipps and The History of Mr Polly, which describe lower-middle-class life, led to the suggestion, when they were published, that he was a worthy successor to Charles Dickens, but Wells described a range of social strata and even attempted, in Tono-Bungay (1909), a diagnosis of English society as a whole. A diabetic, in 1934, Wells co-founded the charity The Diabetic Association (known today as Diabetes UK).

2. The Time  Machine

The Time Machine is a science fiction novel by H. G. Wells, published in 1895 and written as a frame narrative. Wells is generally credited with the popularization of the concept of time travel by using a vehicle that allows an operator to travel purposely and selectively forwards or backwards in time. The term "time machine", coined by Wells, is now almost universally used to refer to such a vehicle.

The Time Machine has been adapted into three feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It has also indirectly inspired many more works of fiction in many media productions.

3.frame narrative

A frame story (also known as a frame tale or frame narrative) is a literary technique that sometimes serves as a companion piece to a story within a story, whereby an introductory or main narrative is presented, at least in part, for the purpose of setting the stage either for a more emphasized second narrative or for a set of shorter stories. The frame story leads readers from a first story into another, smaller one (or several ones) within it. The frame story may also be used to allow readers to understand a part of the story, then jump to another part that can now be understood. This is not however, to be mixed up with a narrative structure or character personality change.

The earliest known frame stories are those preserved on the ancient Egyptian Papyrus Westcar. Other early examples are from 1st millennium BC India, when the Sanskrit epics Mahabharata, Ramayana, Vishnu Sarma's Panchatantra, Syntipas's The Seven Wise Masters, and the fable collections Hitopadesha and Vikram and The Vampire were written. This form gradually spread west through the centuries and became popular, giving rise to such classic frame tale collections as the One Thousand and One Nights (Arabian Nights), The Decameron, and Canterbury Tales. This format had flexibility in that various narrators could retain the stories they liked or understood, while dropping ones they didn't and adding new ones they heard from other places. This occurred particularly with One Thousand and One Nights, where different versions over the centuries have included different stories.

The use of a frame story in which a single narrative is set in the context of the telling of a story is also a technique with a long history, dating back at least to the beginning section of the Odyssey, in which the narrator Odysseus tells of his wandering in the court of King Alcinous.

4.Pacifism

Pacifism is opposition to war, militarism, or violence. The word pacifism was coined by the French peace campaigner Émile Arnaud (1864–1921) and adopted by other peace activists at the tenth Universal Peace Congress in Glasgow in 1901. A related term is ahimsa (to do no harm), which is a core philosophy in Buddhism, Jainism, and Hinduism. While modern connotations are recent, having been explicated since the 19th century, ancient references abound.

In Christianity, Jesus Christ's injunction to "love your enemies" and asking for forgiveness for his crucifiers "for they know not what they do" have been interpreted as calling for pacifism. In modern times, interest was revived by Leo Tolstoy in his late works, particularly in The Kingdom of God Is Within You. Mohandas Gandhi (1869–1948) propounded the practice of steadfast nonviolent opposition which he called "satyagraha", instrumental in its role in the Indian Independence Movement. Its effectiveness served as inspiration to Martin Luther King Jr., James Lawson, James Bevel, Thich Nhat Hanh and many others in the Civil Rights Movement. Pacifism was widely associated with the much publicized image of Tiananmen Square Protests of 1989 with the "Tank Man", where one protester stood in nonviolent opposition to a column of tanks.

5.bonny

1.

Chiefly Scot. pleasing to the eye; handsome; pretty.

2.

British Dialect.

(of people) healthy, sweet, and lively.

(of places) placid; tranquil.

pleasing; agreeable; good.

(v)

3.

British Dialect. pleasingly; agreeably; very well.

(n)

4.

Scot. and North England Archaic. a pretty girl or young woman.

6. racke brains

rack one's brain(s)

Fig. to try very hard to think of something.

ex: I racked my brains all afternoon, but couldn't remember where I put the book.

ex:Don't waste any more time racking your brain. Go borrow the book from the library.

ex:I racked my brain for hours trying to recall her name

7. D.H. Lawrence

David Herbert Richards "D. H." Lawrence (11 September 1885 – 2 March 1930) was an English novelist, poet, playwright, essayist, literary critic and painter. His collected works represent, among other things, an extended reflection upon the dehumanising effects of modernity and industrialisation. Some of the issues Lawrence explores are sexuality, emotional health, vitality, spontaneity, and instinct.

Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage".[4] At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "The greatest imaginative novelist of our generation." Later, Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel.

8.Pornography

Pornography is the portrayal of sexual subject matter for the purpose of sexual arousal. Pornography may be presented in a variety of media, including books, magazines, postcards, photographs, sculpture, drawing, painting, animation, sound recording, writing, film, video, and video games. The term applies to the depiction of the act rather than the act itself, and so does not include live exhibitions like sex shows and striptease. The primary subjects of present-day pornographic depictions are pornographic models, who pose for still photographs, and pornographic actors or porn stars, who perform in pornographic films. If dramatic skills are not involved, a performer in a porn film may also be called a model.

Various groups within society have considered depictions of a sexual nature immoral, addictive, and noxious, labeling them pornographic, and attempting to have them suppressed under obscenity and other laws, with varying degrees of success. Such works have also often been subject to censorship and other legal restraints to publication, display, or possession. Such grounds, and even the definition of pornography, have differed in various historical, cultural, and national contexts.

Social attitudes towards the discussion and presentation of sexuality have become more tolerant and legal definitions of obscenity have become more limited, notably beginning in 1969 with Blue Movie by Andy Warhol, the first adult erotic film depicting explicit sex to receive wide theatrical release in the United States, and the subsequent Golden Age of Porn, leading to an industry for the production and consumption of pornography in the latter half of the 20th century. The introduction of home video and the Internet saw a boom in the worldwide porn industry that generates billions of dollars annually. Commercialized pornography accounts for over US$2.5 billion in the United States alone, including the production of various media and associated products and services. This industry employs thousands of performers along with support and production staff. It is also followed by dedicated industry publications and trade groups as well as the mainstream press, private organizations (watchdog groups), government agencies, and political organizations. More recently, sites such as Pornhub, RedTube, and YouPorn have served as repositories for home-made or semi-professional pornography, made available free by its creators (who could be called exhibitionists). It has presented a significant challenge to the commercial pornographic film industry.

Irrespective of the legal or social view of pornography, it has been used in a number of contexts. It is used, for example, at fertility clinics to stimulate sperm donors. Some couples use pornography at times for variety and to create a sexual interest or as part of foreplay. There is also some evidence that pornography can be used to treat voyeurism.

9. Eucharist 

The Eucharist /ˈjuːkərɪst/ (also called Holy Communion, the Lord's Supper, among others) is a Christian rite that is considered a sacrament in most churches and an ordinance in others. According to the New Testament, the rite was instituted by Jesus Christ during his Last Supper; giving his disciples bread and wine during the Passover meal, Jesus commanded his followers to "do this in memory of me" while referring to the bread as "my body" and the wine as "my blood". Through the Eucharistic celebration Christians remember Christ's sacrifice of himself on the cross.

The elements of the Eucharist, bread (leavened or unleavened) and wine (or grape juice), are consecrated on an altar (or table) and consumed thereafter. Communicants (that is, those who consume the elements) may speak of "receiving the Eucharist", as well as "celebrating the Eucharist". Catholics generally recognize a special presence of Christ in this rite, though they differ about exactly how, where, and when Christ is present. While all agree that there is no perceptible change in the elements, Catholics believe that they actually become the body and blood of Christ. Lutherans believe the true body and blood of Christ are really present in, with, and under the bread and wine which remain physically unchanged. The Reformed believe in a real but purely spiritual presence of Christ in the Eucharist. Others, such as the Plymouth Brethren, take the act to be only a symbolic reenactment of the Last Supper.

In spite of differences between Christians about various aspects of the Eucharist, there is, according to the Encyclopædia Britannica, "more of a consensus among Christians about the meaning of the Eucharist than would appear from the confessional debates over the sacramental presence, the effects of the Eucharist, and the proper auspices under which it may be celebrated."

10. Oedipus complex

In psychoanalysis, the Oedipus complex (or, less commonly, Oedipal complex) is a child's desire, that the mind keeps in the unconscious via dynamic repression, to have sexual relations with the parent of the opposite sex (i.e. males attracted to their mothers).

The Oedipus complex occurs in the third—phallic stage (ages 3–6)—of the five psychosexual development stages: (i) the oral, (ii) the anal, (iii) the phallic, (iv) the latent, and (v) the genital—in which the source of libidinal pleasure is in a different erogenous zone of the infant's body. The Oedipal complex originally refers to the sexual desire of a son for his mother and does not need to be reciprocated.

Sigmund Freud, who coined the term "Oedipus complex", believed that the Oedipus complex is a desire for the parent in both males and females; he deprecated the term "Electra complex", which was introduced by Carl Gustav Jung in regard to the Oedipus complex manifested in young girls. Freud further proposed that boys and girls experience the complex differently: boys in a form of castration anxiety, girls in a form of penis envy; and that unsuccessful resolution of the complex might lead to neurosis, pedophilia, and homosexuality. A child's identification with the same-sex parent is the successful resolution of the complex.

Men and women who are fixated in the Oedipal and Electra stages of their psychosexual development might be considered "mother-fixated" and "father-fixated." In adult life, this can lead to a choice of a sexual partner who resembles one's parent.